Most Relevant Theatre Arts Project Topics and Materials (Page 2)

Showing 26 - 50 of 121

26) CREATIVE DRAMATICS AS A TOOL FOR ENHANCING CHILDREN'S PSYCHOLOGICAL AND INTELLECTUAL DEVELOPMENT: A CASE STUDY OF C.A.C NURSERY AND PRIMARY SCHOOL WORKSHOP

ABSTRACT In spite of the introduction of the use of computer, laptop, e-learning, and availability of internet facilities in contemporary education, Primary school pupils specifically still find it difficult to assimilate what the teachers are teaching them; because the modern day teachers stiII continue to operate under the traditional method of... Continue Reading

27) FORM AND CONTENT OF BATA DANCE PERFORMANCE OF THE YORUBA PEOPLE OF SOUTHWEST NIGERIA

ABSTRACT Generally, indigenous dances have strong influence in our society because of the power such dance entails, these dances are most spectacular and are representative of any art form which calls for the highest participation in African indigenous life. The consistency of studying or practicing indigenous dances, paying attention only to the... Continue Reading

28) AESTHETICS IN PLAY PRODUCTION AS A VIABLE FACTOR FOR AUDIENCE APPEAL: DRUMS OF WAR AS PARADIGM

ABSTRACT The joy of every play director is to see that his audience is appreciative and well-receptive of his  directed plays and would want to patronize the live theatre again and again; such was the production of Bakare Ojo-Rasaki \'s Drums of War. The production was laden with aesthetic effects which are believed to have been the major... Continue Reading

29) GENDER DIMENSIONS OF WAR: A STUDY OF FEMI OSOFISAN'S WOMEN OF OWU

ABSTRACT The gender dimensions of war and in Nigeria is perniciously depict ing a devastating trend as are the challenges faced in understanding the gendered dimensions of suf fering and shock that is involved, as war is invariably pervading lives and every aspect of society . The costs have been evident as wars are often characterized by large s... Continue Reading

30) PRINT MEDIA AS A TOOL FOR POLITICAL PROPAGANDA AND IDEOLOGY, A CASE STUDY OF TRIBUNE NEWSPAPER COVERAGE OF 2015 GENERAL ELECTION IN NIGERIA

ABSTRACT Media in our society today has been deployed as a possible means of transmitting political messages and ideology, focusing on print which impact and relevance outshone other media form. However, this research work aims at finding out how printed material (Newspaper) fared in coverage, reportage and affiliation when it comes to political... Continue Reading

31) COSTUME AND MAKEUP AS A VITAL TOOL FOR CULTURAL AND TOURISM PROMOTION AND PRESERVATION IN NIGERIA.

Costume and makeup is an interpretative tool in drama that enhances, describe the actor’s appearance during a performance. The use of costume and makeup is dictated by the directorial concept. Choices of costumes are usually to add aesthetic value to the actor’s role. The role of the costume is to design characters. Usually, the costumes are... Continue Reading

32) MANAGING THE UNIVERSITY BASED THEATRE; CHALLENGES AND PROSPECTS, FUOYE AS A CASE STUDY

ABSTRACT The aim of this research is to examine the impact of management in FUOYE Theatre and Media Arts department. That is, using the department as a case study to examine the importance of management in the department. Chapter one covers the general introduction which includes the background, purpose, significance and scope of the study, there... Continue Reading

33) SEMIOTICS OF SET DESIGN IN OLA ROTIMI'S "THE GODS ARE NOT TO BLAME" PRODUCTION

ABSTRACT Set design spices up theatrical performances especially as a significant requirement. The contribution of set design to the overall success of performances on stage is inevitable as demonstrated in available literature. In spite of this contribution, set design has been neglected by many theatre practitioners, a problem which has... Continue Reading

34) DANCE AS A COMMUNICATION TOOL USING OBITUN AS A CASE STUDY

ABSTRACT In recent times, traditional African dance seems to be given less cognizance in the society which is been compounded by high level of attention given to contemporary dance and less attention to African traditional dance. The level of involvement of the youth in African traditional dance is not encouraging, worse still, there is the... Continue Reading

35) ACTOR(S) AS INALIENABLE COMMUNICATOR OF DRAMA: THE PERFORMANCE OF THE PRIME ML JSTER'S SO AS A PARADIGM

ABSTRACT The tools of an actor are his/her voice and body (and perhaps the mind). And these are what every disciplined actor should continuously work on to improve their productive capacity for proper play interpretation. Many actors especially the amateurs (Greenhorns) seem to do little or nothing about improving these tools due to their over... Continue Reading

36) PRINCIPLES OF DESIGNING AND THE APPLICATION OF MAKEUP IN NOLLYWOOD PRODUCTION

CHAPTER ONE INTRODUCTION 1.1  Background to the Study The origin of Makeup can be traced to a Greek actor named THESPIS. After this, during the medieval time, European theatre then introduced face paint makeup for the first time. The principles of designing and the application of makeup to Nollywood production is of great importance because... Continue Reading

37) YOUTUBE, NEW MEDIA, ADVOCACY AND THE CHALLENGES OF AUTHENTICITY

NEW MEDIA ADVOCACY AND THE CHALLENGE OF AUTHENTICITY: A STUDY OF YOUTUBE ABSTRACT Disinformation, misinformation, and fake news have been and are becoming an increasing problem online. The authenticity of online information is being questioned and the need for validation of data is clear. To overcome this obstacle, where and how information... Continue Reading

38) THEATRE AS A TOOL FOR COMMUNICATING HAND WASHING AMONG PRIMARY SCHOOL PUPILS

ABSTRACT This research work examines theatre as a tool for communicating hand washing among primary school pupils in an attempt to assessing the importance of Theatre to children and how it serves as a platform for learning and not just for entertainment. Further it goes to show also that (Theatre) serves as a place for connection of attitude and... Continue Reading

39) THE PHILOSOPHY OF BASICS AND FRAGMENTS IN PLAY-DIRECTING: CIRCUS OF FREEDOM SQUARE PRODUCTION AS PARADIGM

ABSTRACT The essence of drama is communication and this communication must be done in a manner that the audience will understand because they are the one will communicate to through the drama that we perform. In communicating this message, the director must understand the nature of his audience, it is these understandings that will prompt him in... Continue Reading

40) THE IMPERATIVE OF SOCIO-POLITICAL SATIRE IN FEMI OSOFISAN'S MANY COLOURS MAKES THUNDER KING

TABLE OF CONTENTS Title page - - - - - - - - i Declaration - - - - - - - - ii Certification - - - - - - - - iii Acknowledgement - - - - - - - iv Dedication - - - - - - - v Table of content - - - - - - - vi Abstract - - - - - - - - vii CHAPTER 1 INTRODUCTION 1.1 Background of the study - - - - - - 1 1.2 Statement of the problem - - - - - - 2 1.3... Continue Reading

41) AESTETHICS OF FOLKISM: A CRITICAL ANALYSIS OF AHMED YERIMA’S ABOBAKU AND ORISA IBEJI

ABSTRACT Under the condition of cultural hierarchy, playwrights, theatre operas, the symphony, musicians and galleries were funded by wealthy patrons present and in order to preserve the best of African tradition. The point is that while the western world tends to see and cherish their arts as the storehouse where their culture could be expressed... Continue Reading

42) COSTUME AND MAKEUP AS A VITAL TOOL FOR CULTURAL AND TOURISM PROMOTION AND PRESERVATION IN NIGERIA.

Costume and makeup is an interpretative tool in drama that enhances, describe the actor’s appearance during a performance. The use of costume and makeup is dictated by the directorial concept. Choices of costumes are usually to add aesthetic value to the actor’s role. The role of the costume is to design characters. Usually, the costumes are... Continue Reading
  • Type:Project
  • ID:THA0039
  • Pages:112

43) THE IMPACT OF MUSIC ON TELEVISION COMMERCIAL

1. Introduction 4 2. Theoretical Framework 2.1. Television Commercials 8 2.2. Attitude 10 2.3. Different Types of Commercial Background Music 11 2.4. Elaboration Likelihood Model and Theory of Musical Fit 12 3. Problem Statement 3.1. Research Question and Sub-Questions 18 3.2. Purpose and Relevance of the Research 19 4. Methodology 20 5.... Continue Reading

44) REVOLUTIONARY ETHOS IN BODE SOWANDE'S FARWELL TO BABYLON AND CIRCUS OF FREEDOM SQUARE.

ABSTRACT Of the factors which influence and determine the contents and messages of drama, the society from which that drama emanates is of great significance. The ineffectiveness and inadequacies that constitute the social and political setting of the present day Africa and which hinder human and societal growth engendered the writing of plays... Continue Reading

45) FUNCTIONAL AESTHETICS OF AFRICAN DANCE: A STUDY OF AKOTO DANCE

ABSTRACT Dance as a non material culture can only be perceived and appreciated via the auditor) and sight sense organs. This fact can be said to have reduced the chances of preserving and documenting Akoto dance, as the initiators and pioneers of the dance were non literates. This poses a problem to the later performers of the dance as they are... Continue Reading

46) TELEVISION FOR CULTURAL LEARNING; A CASE STUDY OF PERE ODE ON EKITL STATE TELEVISION (EKTV)

ABSTRACT Television as a means of communication helps in curbing and reducing societal vices. It is also a tool for cultural transformation. The research work investigates the state of cultural decadence and erosion of indigenous culture among indigenes and residents of Ado Ekiti, using cultural norms theory and social responsibility theory. The... Continue Reading

47) ACTOR(S) AS INALIENABLE COMMUNICATOR OF DRAMA: THE PERFORMANCE OF THE PRIME ML JSTER'S SO AS A PARADIGM

ABSTRACT The tools of an actor are his/her voice and body (and perhaps the mind). And these are what every disciplined actor should continuously work on to improve their productive capacity for proper play interpretation. Many actors especially the amateurs (Greenhorns) seem to do little or nothing about improving these tools due to their over... Continue Reading

48) THE EFFECTS OF VISUAL DESIGNS ON AFRICAN EPIC DRAMA A D THEATRE: A STUDY OF LANGBODO PRODUCTION

ABSTRACT Visual designs in the theatre have received different touches from different scholars and theorists. Some theorists made it relevant while some believe that they are less important. This study examines the indispensability of visual designs (costume and make up, set props and light) in the African theatre in relation to Langbodo... Continue Reading

49) TELEVISION FOR CULTURAL LEARNING; A CASE STUDY OF PERE ODE ON EKITL STATE TELEVISION (EKTV)

ABSTRACT Television as a means of communication helps in curbing and reducing societal vices. It is also a tool for cultural transformation. The research work investigates the state of cultural decadence and erosion of indigenous culture among indigenes and residents of Ado Ekiti, using cultural norms theory and social responsibility theory. The... Continue Reading

50) INFLUENCE OF TELEVISION ADVERTISEMENT ON THE BUYING CHOICE OF SANITARY PAD BY STUDENTS IN ADO EKITI, EKITI STATE

Abstract Television advertisement has over the years helped a great deal in the marketing of goods and services. This research work is an analytical study of the influence of television advertisement on the buying choice of ‘Always’ sanitary pad by students in Ado Ekiti,Ekiti state. It explored the questionnaire and interview approaches to... Continue Reading
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