Theatre Arts Project Topics and Materials (Page 5)

Showing 101 - 121 of 121

101) PRINT MEDIA AS A TOOL FOR POLITICAL PROPAGANDA AND IDEOLOGY, A CASE STUDY OF TRIBUNE NEWSPAPER COVERAGE OF 2015 GENERAL ELECTION IN NIGERIA

ABSTRACT Media in our society today has been deployed as a possible means of transmitting political messages and ideology, focusing on print which impact and relevance outshone other media form. However, this research work aims at finding out how printed material (Newspaper) fared in coverage, reportage and affiliation when it comes to political... Continue Reading

102) CRITICAL ANALYSIS OF COSTUME AND MAKE-UP IN THE CONFLUENCE V-CARNIVAL 2014 OF KOGI STATE, NIGERIA

ABSTRACT This research work is an analytical study of the use of Costumes and Make-up during the 2014 Edition of Confluence-V-Carnival. It is a case study research which explored the interview approach, and uses the MLA documentation style sheet. Chapter one defines the background and frame of reference for the project; providing the objectives,... Continue Reading

103) MANAGING THE UNIVERSITY BASED THEATRE, CHALLENGES AND PROSPECTS; FUOYE AS A CASE STUDY

Background of the Study Theatre has become more popular over the years. It is generally known to people as a building designed for performance of plays, dances etc. In our institution today where there is Theatre Art Department some of their output works in theatre industries, while some are independent, although the word theatre and drama are... Continue Reading

104) ROLE INTERPRETATION TECHNIQUES AND THE NIGERIAN ACTOR: PETER FATOMILOLA IN FOCUS

ABSTRACT The problem of poor acting has bedeviled the quality of production content of the Nigerian movie industry, and too many ambitious Nigerians jump into acting without understanding the demands. This project which focused on the acting technique of a successful Nigerian actor is a qualitative study shall employ the interview methodology to... Continue Reading

105) THE ROLE OF A FILM-MAKER IN SUSTAINING CULTURE DEVELOPMENT IN THE CONTEMPORARY NIGERIAN SOCIETY-A CASE STUDY OF - KUNLE AFOLAYAN.-OCTOBER 1- FEATURE FILM

THE ROLE OF A FILM-MAKER IN SUSTAINING CULTURE & DEVELOPMENT IN THE CONTEMPORARY NIGERIAN SOCIETY: A CASE STUDY OF “OCTOBER 1” FEATURE FILM BY KUNLE AFOLAYAN. BY ABDULQADIR, HUSSAIN ZAGURU (P14ARTP7006) A RESEARCH PROJECT SUBMITTED TO THE POST GRADUATE SCHOOL OF AHMADU BELLO UNIVERSITY, ZARIA IN PARTIAL FULFILLMENT OF THE CONDITIONS FOR THE... Continue Reading

106) COMMUNICATING WITH COSTUME AND MAKEUP IN NIGERIAN HOME VIDEO FILM. A STUDY OF "EFUNSETAN ANIWURA"

COMMUNICATING WITH COSTUME AND MAKEUP IN NIGERIAN HOME VIDEO FILM. A STUDY OF \'EFUNSET AN ANIWURA\'. ABSTRACT This project focuses on how costume and makeup communicates in Nigerian Home video film using a home video titled EFUNSETAN ANIWURA directed by Tunde Kelani as a case study, how the director uses costume and makeup in communicating the... Continue Reading

107) CREATIVE DRAMATICS AS A TOOL FOR ENHANCING CHILDREN'S PSYCHOLOGICAL AND INTELLECTUAL DEVELOPMENT: A CASE STUDY OF C.A.C NURSERY AND PRIMARY SCHOOL WORKSHOP

ABSTRACT In spite of the introduction of the use of computer, laptop, e-learning, and availability of internet facilities in contemporary education, Primary school pupils specifically still find it difficult to assimilate what the teachers are teaching them; because the modern day teachers stiII continue to operate under the traditional method of... Continue Reading

108) FORM AND CONTENT OF BATA DANCE PERFORMANCE OF THE YORUBA PEOPLE OF SOUTHWEST NIGERIA

ABSTRACT Generally, indigenous dances have strong influence in our society because of the power such dance entails, these dances are most spectacular and are representative of any art form which calls for the highest participation in African indigenous life. The consistency of studying or practicing indigenous dances, paying attention only to the... Continue Reading

109) AESTHETICS IN PLAY PRODUCTION AS A VIABLE FACTOR FOR AUDIENCE APPEAL: DRUMS OF WAR AS PARADIGM

ABSTRACT The joy of every play director is to see that his audience is appreciative and well-receptive of his  directed plays and would want to patronize the live theatre again and again; such was the production of Bakare Ojo-Rasaki \'s Drums of War. The production was laden with aesthetic effects which are believed to have been the major... Continue Reading

110) THE PHILOSOPHY OF BASICS AND FRAGMENTS IN PLAY-DIRECTING: CIRCUS OF FREEDOM SQUARE PRODUCTION AS PARADIGM

ABSTRACT The essence of drama is communication and this communication must be done in a manner that the audience will understand because they are the one will communicate to through the drama that we perform. In communicating this message, the director must understand the nature of his audience, it is these understandings that will prompt him in... Continue Reading

111) THE PLAY DIRECTOR AS A TEACHER: A STUDY OF RASAKI OJO, BAKARE'S DIRECTING TECHNIQUE

ABSTRACT Theatre practice in Nigeria has dwindled in great degree just as the culture is fast dying, and the situation leaves many theatre practitioners in a state of joblessness and redundancy. In spite the numerous reasons are accountable for this joblessness and redundancy. However this research hinges on the need for leading directors to adopt... Continue Reading

112) AN APPRAISAL OF THE PRINT MEDIA IN POLITICAL MOBILIZATION IN NIGERIA

ABSTRACT This study appraises the role of the print media in political mobilization in Nigeria; using the Hope newspaper as a paradigm of the print media.The Media is the mirror of the society, and its role in developing the society cannot be overestimated. Suffice to say that the mass media as the fourth estate of governance had been assigned the... Continue Reading

113) CREATIVE DIRECTING AS DECONSTRUCTION: AN EXAMINATION OF BAKARE'S APPROACH TO WALE OGUNYEMI'S LANGBODO

ABSTRACT The relevance of creative directing cannot be over-emphasized, as it finds new meanings to an author's play text. Unfortunately. most dramatists view creative directing as a means of degrading their crea1i1•ework They believe that since they wrote the text, they understand its meanings belier than anyone. This study seeks lo correct... Continue Reading

114) RADIO DRAMA FOR SOCIAL MOBILIZATION: A COMPARATIVE ANALYSIS OF "JDPC HALF HOUR" ON POSITIVE FM AKURE AND "LABE ORULE" ON PROGRESS FM ADO EKITI

ABSTRACT The discontinuation of radio drama programmes on most Nigerian radio stations does some degree ofdisservice to the society, because the Radio drama model has the capacity to socially mobilization the society. This research is an analytical study that centers on how Radio drama can be used for social mobilization. It uses the Radio drama... Continue Reading

115) EFFECTIVE HOUSE MANAGEMENT AS TOOL FOR AUDIENCE MOTIVATION: A CASE STUDY OF ONDO STATE MINISTRY FOR CULTURE AND TOURISM

ABSTRACT The Theatre is a major component of the society; as no society can do without diversion and the documentation of its cultural heritage. This study seeks to examine the impact of effective house management as a panacea for audience motivation; using Ondo’s state ministry of Culture and Tourism as a paradigm. The study adopts qualitative... Continue Reading

116) TELEVISION PROGRAMMING FOR SOCIAL DEVELOPMENT: A STUDY OF AAJIIREBI PROGRAMME ON AFRICA MAGIC YORUBA

Abstract Media create norms and role models for people to emulate and imitate; television as a medium has the persuasive powers that can trigger change in number of ways in any society. Television programming for social development, a study of “Aajiirebi” on Africa Magic Yoruba. The researcher discovers that “Aajiirebi” programme on Africa... Continue Reading

117) NOLLYWOOD AS A PRESERVER OF NIGERIAN CULTURE; A CASE STUDY OF TUNDE KELANI’S ARUGBA

ABSTRACT The general objective of this study is to appraise the representation of the Nigerian (African) culture in the global market by the Nigerian Nollywood. Specifically, the study tries to find out how The Nigerian Nollywood projects Nigerian rich local cultural values to the outside world; and appraise how the influx of foreign cultural... Continue Reading

118) AESTETHICS OF FOLKISM: A CRITICAL ANALYSIS OF AHMED YERIMA’S ABOBAKU AND ORISA IBEJI

ABSTRACT Under the condition of cultural hierarchy, playwrights, theatre operas, the symphony, musicians and galleries were funded by wealthy patrons present and in order to preserve the best of African tradition. The point is that while the western world tends to see and cherish their arts as the storehouse where their culture could be expressed... Continue Reading

119) PRINT MEDIA AS A TOOL FOR POLITICAL PROPAGANDA AND IDEOLOGY, A CASE STUDY OF TRIBUNE NEWSPAPER COVERAGE OF 2015 GENERAL ELECTION IN NIGERIA

ABSTRACT Media in our society today has been deployed as a possible means of transmitting political messages and ideology, focusing on print which impact and relevance outshone other media form. However, this research work aims at finding out how printed material (Newspaper) fared in coverage, reportage and affiliation when it comes to political... Continue Reading

120) CRITICAL ANALYSIS OF COSTUME AND MAKE-UP IN THE CONFLUENCE V-CARNIVAL 2014 OF KOGI STATE, NIGERIA

ABSTRACT This research work is an analytical study of the use of Costumes and Make-up during the 2014 Edition of Confluence-V-Carnival. It is a case study research which explored the interview approach, and uses the MLA documentation style sheet. Chapter one defines the background and frame of reference for the project; providing the objectives,... Continue Reading

121) THE CONTRIBUTION OF FOLKISM TO MEANINGFUL THEMATIC EXPLORATION IN NIGERIAN PLAYWRITING

Over the decades, Nigerian playwrights have written plays devoid of folk materials such as myths, legends, folktales, folksongs, folkdances and other indigenous materials that can contribute effectively to the relevance of themes explored in Nigerian playwriting. In this direction, the study examines Sam Ukala’s theory of Folkism as it relates... Continue Reading
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